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Up the stairs we go, to the fourth floor of his tall and forbiddingly elegant house in north London. He prods open a door. Above backpage central worb escort avalanche of papers on the desk, there is a portrait of Ingrid Bergman by the artist Paul Davis. Above is a black and Fre photograph of Lahr himself, by his friend Richard Avedon. I spy a handwritten letter on the mantel. To say that Lahr lives and breathes showbusiness is an understatement.

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